delectation
11 hours ago
"I know I sound anal-retentive for saying this, but your sign is crooked and it's bothering me."
"You know it's there, so you'll still see it."
"A flower."
"There are a lot of flowers out there."
"Like an hour?"
"I'll call you."
I know that my co-workers' neighbor just three houses down the street is asking for $900 a month. There are some places around the city demanding no less than a grand, and while I pay only $550 I highly doubt that the Bunny Killers are anywhere near that number.
They live on site, in the lower apartment with their three teenage children, two dogs and whatever else might be stashed inside the place. They throw parties, waste hundreds of dollars filling a pool only they are permitted to use (which they hardly ever do) and for Wisconsinites they aren't very friendly at all. I mean, I live so close to them that I can count the sun damaged creases on their faces and yet they never so much as twitch a facial muscle in recognition of my presence. Granted, they could be lovely people - as lovely as bunny killers can be.
If that's the case, why the heck am I not living there?
"Glencoe. What the hell kind of name is Glencoe? Sounds like some sort of
(Cooky is married and a big cell phone talker. He commutes to Chi-town from Kenosha, works at Palms)
steroid company or something. It even has a stone marker.
(Cooky grew up in West Bend. London Calling looked at me again when I noticed "Glencoe, Ill., home of the best 'roids this side of Barry Bonds's ass!")
Now leaving
(picture: ripped and overly tanned dude, head the size of the Universal Studios globe. Big Smile)
"Glencoe!"
(tink tink of light against bleached and veneered teeth)
for Winnetka. Sweet ol' Winnetka."
(Michael Palin, one of the great and mighty Pythons, in an autographed photo sent to me after I wrote him a letter. It's sort of blurred and the quality isn't that great, but you get the idea)
The Cow Book was exactly as implied. A book entirely devoted to the cow, every picture drawn by my father (who could have rivaled Michelangelo and why he didn't pursue a career in art is beyond me). This book alone might explain my lust for lavish and meticulous projects. Sadly, the Cow Book vanished after my father's death in 1996.
Lying dormant for years, heretofore only seen in long, exuberant plays with winding plots soon forgotten, my desire was realized. It was the annual sugar cube castle competition. Going all out, my castle was complete with the tradition bulwark and turrets, yes, but also slitted windows for the archers, a working drawbridge, rolling green hills of that paper grass used in toy railroad set-ups and an orchard of fake plastic trees. All of the children's castles were then, for whatever reason, carried by the lot of us into the school's dark, dank, mold-smelling basement locker room - the very same locker room where we went for tornado drills; the very same, creepy locker room made even creepier when doing the duck-and-cover in the dark.
In order to complete this task I ransacked Big Lots. I came out with two flexi-pose female wrestling dolls and some sort of small Barbie Doll pool made of plastic. I filled the pool with blue-raspberry flavored Jell-o from the dented/nearly-to-already expired or otherwise outdated general store somewhere in Sheboygan County (where damn never everything in that store is $1). Once the Jell-o began to set, I stuck one of the identical twin dolls face down in the pool and the other I positioned at the edge of the pool, her pink bra and tiny cut-off jean shorts indicative to the beach environment in which the book takes place. What I actually wrote about the book I do not remember.
Another girl in my sixth grade class was also reading this book (the girl sitting directly across from me no less) and so we teamed up on the report. Really, the only thing I recollect is recreating the scene in which the main character's idiot brother accepts a brown paper package tied with twine, given to him by a stranger in the London Subway, and subsequently becomes the victim of a bomb. One of us read and the other, on the cue of "Boom!" (screamed by a plant in the audience), dropped dead to the floor.
I chose this book with the intention of creating a massive display of war injuries (the tome had an impressive catalog of not only every soldier who fought and died in the war, but also the destruction of war). My teacher wasn't very impressed, perhaps because she didn't buy my "Little Activist" routine (I was in fourth grade at the time). What I should have done was do a report on "Johnny Got His Gun" by Dalton Trumbo.
In a futile effort to understand a monster, I created a thorough report on this book (sans my typical comprehensive visual aid). I might have been in fifth grade at the time.
A not-so-complete departure from my norm: reports on books dealing with death. The class was broken up into teams. Maxwell, Heather, Eric and I were in a group. I believe it was Eric who had the ingenious idea of filming our reports. We went to my house for the movie making.
Maxwell taped Heather and me asleep on the floor (the camera lingering on my ass for reasons I'm still not sure on, maybe it was just big compared to Heather's). Heather walked through the jungle. Eric was not there that day, I don't think, and if he was I can't remember what he did. As for me, I stepped into my role as Severus Snape (the Alan Rickman character the object of my long, deep dark desire - a character who in the book never fails to bring about images of Trent Reznor, and I will never forgive J. K. Rowling for killing Snape off). In charge of the camera, I used my magical powers (and seamless control of the power button) to turn a stuffed tiger into a crystal turtle paperweight.
All I remember is Brittney's farm (the same Brittney with whom I did the report on "The Terrorist"). It was autumn and I'd neglected to bring a jacket. I sat in the cab of a pick-up truck, my hands frozen even cradled to my chest, Niles sitting on the sleeve of my favorite blue sweater.
I remember standing in front of the camera at the farm, talking at the lens while the horse behind me suddenly decided he needed to pee.
Because I could not procure a live chicken, I had to do the next best thing. Place the egg in a marshmallow-filled canning jar. Wrap canning jar in paper toweling and pack in well-padded box. Slice open thumb when retrieving the unbroken egg, the glass jar having absorbed all of the shock.
I played Tituba, slave to Reverend Samuel Parris's family and the one who was pointed at by the collective finger. I was laughed at, either because my skirt was too large or because I was a skinny white girl (in an all-white school) playing a black woman. But I had the last laugh. Not only was I in the play, playing a rather pivotal role (which was also disgusting; the racial and religious scorn of the Puritans) - but I also helped to build the sets.
Like King Tut only a store bought chicken. We loved that thing. We rubbed oils on his headless body and we wrapped him up mummy-style. We placed him in a shoebox sarcophagus. Because the science class was learning about decomposition, we buried King Cluck in the small forest beside the school (the idea being that we'd get back to him in a few years' time). And then some punk kid dug him up shortly after the burial ceremony.
The same year as King Cluck, same 7th grade science glass, we were each assigned to a report on a bacterium or virus. It was supposed to be random. My soon-to-be one-date boyfriend pulled "ear infection" from the chip bowl.
The gods smiled down upon me: I got "Ebola".
The teachers all pulled together and got a truckload of dirt shipped to the playground. That mound was almost as tall as the middle school building. I toiled away at the dirt pile for days under the searing, soul searching sun (thank you, Life of Agony, do you have any idea how much I love you?). I didn't find a damned thing.
Chris McCandless would have bummed me the hell out, so I ran to the teacher the day, almost the very moment, she gave out the assignment. In one gasping breath I demanded more than asked her, "Edgar Allan Poe. Is Edgar Allan Poe taken? Give me Edgar Allan Poe!"
So I got E. A. Poe, my favorite author (don't let the blog name fool you).
I lived in the library during the length of that assignment. My visual aid was a grainy photo on craft board, interesting and thought provoking but not the coup de grâce.
My presentation was a complete, unabridged biography of my literary God. I used a pack and a half of college ruled index cards I picked up at the local hardware store (the kind that smelt of that sweet hardware store scent and came in the giant economy packages of 100). I shoved every single, solitary fact about Poe down my classmates throats. I'm sure I even had the number of pores on the man's face written down somewhere.
I gave a full reading of "The Tell-Tale heart".
The teacher was none too pleased. She said it was too long and relatively boring and that I should not have been so excited (to have overdone the presentation as I did).